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 Kim Sanders  1948-2013

 


Kim with Glen Doyle, Solo International Ethnic Music Festival, Indonesia, 2008

Kim with Glen Doyle, Solo International Ethnic Music Festival, Indonesia, 2008

One time cane-cutter, meatworks labourer and documentary film researcher, World Music pioneer Kim Sanders has steamed up the coast of Sumatra in a tramp steamer full of rubber, survived border crossings with Georgian gun runners and been arrested for spying by a Macedonian Brezhnev lookalike. He has played on national radio in Bulgaria and national TV in Indonesia, with Gypsy wedding bands in Macedonia, in mosquito-ridden clubs in Gambia, tavernas in Greece, tea-houses in China and concert-halls from the Ataturk Cultural Centre in Istanbul to the Sydney Opera House.

Gypsy wedding band, Berovo, Macedonia, 1985

With Gypsy wedding band, Berovo, Macedonia, 1984

In ’84/5 Kim spent eighteen months studying and performing in the Balkans, Turkey and Gambia and Senegal in West Africa where he played with the Libidorr Band. In ’93/4 he returned to Turkey and the Balkans and performed with Turkish/Greek group Phanari tis Anatolis (aka Bosphoros or Anadolu Fener), Zimbabwean mbira-player Stella Chiweshe and musicians from the Filip Koutev (Bulgarian State) Ensemble. He performed solo on Radio Sofia and recorded with Phanari tis Anatolis and Turkish singer Oguz Yilmaz.

With Bayang-Bayang, Jogjakarta, Indonesia, 1996

With Sawung Jabo's Bayang-Bayang, Jogjakarta, Indonesia, 1996

In ’96 he toured Indonesia with Sawung Jabo’s innovative music/dance production Bayang-Bayang and returned to Indonesia in 00 and 03 with Indonesian-World group GengGong, in 05 and 07 with Trio Dingo and in 06, 07 and 12 as soloist. He has recorded in Indonesia with GengGong and singers Setiawan Djodi and Oppie Andaresta.

In ’00/01 Kim returned to Turkey to continue his studies in Turkish Classical, Sufi, Gypsy and folk music. He performed with Laz musician Birol Topaloglu and with the Turkish Ministry for Culture’s Istanbul State Modern Folk Music Ensemble. He was the subject of a short documentary on Turkish television. He returned to Turkey in 07/08 and studied with ney master Ahmet Kaya and Gypsy clarinetist Selim Sesler. Amongst others he performed with percussionist Okay Temiz and with the Turkish incarnation of Kim Sanders & Friends.

Performing with Tianchuang at the Jintai Museum, Beijing, 2004

With Tianchuang at Jintai Museum, Beijing, 2004

In 04 he performed in Beijing as a soloist and worked with pioneering Chinese World-Jazz ensemble Tianchuang.

In Australia Kim was co-leader (with Linsey Pollak) of Australia’s first World-Jazz band (Rabadaki, 79) and has since played with musicians from every continent except Antarctica (including Flamenco Dreaming, Nakisa, Okapi Guitar Band, Seaweed & Wire, Chichitote, Davood Tabrizi, Descendance and Balcano). He performed with Zülfü Livaneli and Fatih Kisaparmak (Turkey), Bahar (Iran) and the Bisserov Sisters (Bulgaria) on their Australian tours.

With Birol Topaloglu,  Istanbul 2008

With Birol Topaloglu, Istanbul 2008

In the 90s he lead legendary “Gypsy-Afro- World” band Brassov and worked with Bulgarian folk singer Silvia Entcheva in the Silvia Entcheva Trio.  He also performed in Australia with GengGong and led various ensembles featuring musicians including Indian tabla master Bobby Singh, Macedonian clarinettist Bobby Dimitrievski, Greek singer/bouzouki-player George Doukas and jazz masters Sandy Evans and Toby Hall.

Wedding in The Gambia with Bas Jobarteh, 2005

Wedding in The Gambia with Bas Jobarteh, 1985

Kim plays Macedonian, Turkish and Bulgarian gaidas (bagpipes), aardvark (Australian-Turkish- Bulgarian bass bagpipe); Bulgarian and Turkish kavals (long wooden flutes), saluang (Sumatran flute), furulya (Hungarian flute) and ney (Dervish flute); mey, duduk, guanzi (Turkish, Armenian, Chinese double reed instruments); zurna (Turkish/Balkan shawm); tenor sax; tin whistle; davul (dauli, tapan)(drum) and small percussion. He also arranges ensembles for special events, and composes music for films and stage productions.

Kim also teaches gaida, kaval, mey, ney, duduk and theory.

With Madurese group Semut Merah, East Jave Persussion Festival, 2008

With Madurese group Semut Merah, East Jave Persussion Festival, 2008

“Masterly control of subtlety…very soulful playing” – Diaspora Worldbeat Magazine

“Sanders’ skills as an instrumentalist are impressive… (As a composer, his work is) new and genuinely exciting” – Chris Williams, fROOTS Magazine (UK)

“I will never view animals in quite the same way after seeing Sanders’ inflated menagerie of bagpipes. But it was the saxophone that most warmed the blood: a big, braying honking beast of a thing that could unexpectedly whisper sweet nothings in your ear” – John Shand, Sydney Morning Herald

Recording with Phanari tis Anatolis, Istanbul 1993

Recording with Phanari tis Anatolis, Istanbul 1993

“Virtually a force unto himself in world music scenes” – Drum Media

“…the magical voice of Kim Sanders’ saxophone” – Yogja Pos, Indonesia

“There are no more than a few Australian musicians who have made certain types of folk music their stamping-ground. Multi-instrumentalist Kim Sanders is one” – Australian Financial Review

With Stella Chiweshe, Istanbul 1994

With Stella Chiweshe, Istanbul 1994

“Kim Sanders was particularly effective on Turkish and Macedonian bagpipes, peeling off lines that were both inventive and convincingly idiomatic.” – John Clare, Sydney Morning Herald

“More, more, more!” – Kuranda Seyit, Australian Muslim News

Click here for a downloadable interview with Kim on the Jazz and Beyond Web site

and click here to hear Hans Stoeve of 2SER-FM talking with Kim

To hear some of Kim’s music, and links to videos, see the “Hear the music” page and the “Links” page

For information on some of Kim’s recent gigs see “Gigs and News” page

Because of the spam deluge, “Comments” have been disabled for this website.  If you would like to comment on any aspect of Kim’s musical activities you can do so by email (kimzgaida@hotmail.com) or on the “Kim Sanders World Music” page on Facebook (http://www.facebook.com/pages/Kim-Sanders-World-Music/131697043563700?sk=info ).

Review of Bent Grooves CD Launch, Sound Lounge, Sydney, 9th May 2008

Such was a celebration of various cultures through regional music, a reflection of the endless pursuit of diversity for Kim Sanders. Whilst performances sharing the theme of diversity have not gone un-acknowledged over the past decade, it felt to me like the shackles of the Howard monoculture had finally been broken during this performance which represented more than just creative music but friendship, inclusiveness, respect and genuine inter-cultural collaboration. Sanders might look like a gypsy with his long greying locks, his Bohemian garb and his goat skin bags but his manner and his dialogue is as Aussie as the next bloke and this fact almost defies the reality of his ability to converse in several languages across the Asian, European and African continents, let alone his ability to foster musical conversations in as many languages using over 14 wind instruments.
Along with Kim Sanders, the core quartet of the ‘Friends’ include Sandy Evans tenor and soprano saxophones, Bobby Singh tabla and Steve Elphick double bass. They opened with Heyamoli a Northern Turkish lament which saw Kim playing Turkish gaida (bagpipe) and Sandy in unison on tenor.
Next they performed the suite A Journey in Saba Makam. The ney is a sufi flute made of bamboo which Sanders freely improvised the first movement Bas Taksim over a singular Elphick drone followed by the additive of Evans and Singh. Such was Evans sensitivity on tenor during the second movement Saba Nefes I that her shadowing was simply an additional tonal flavour of the smokey fluted melody. The final movement showcased the awe-inspiring talent of Singh on tabla.
Sanders who is also a keen surfer, at one time took up the boogie board instead and soon found that serious surfers refer to them as a Speedbump but what commenced as a gypsy jam ended up a Congolese groove thanks mainly to the synchronicity of both Singh and Elphick.
Yet another continent was thrown into the mix with the addition of Chilean Carlos Villanueva and his Andean charango playing the flamenco tinged The Bad Bodgie Bulerias. With an almost clenched fist, Villanueva’s finger nails rapidly raked the repeated four chords of this piece on this instrument of only ukelele dimensions. By now parts of the capacity crowd were shrieking.
Kay Yagar which is interpreted as ‘snow is falling’ was a further showcase of Sanders skills; this time on the double reeded flute, the mey. His circular breathing and tonguing of this instrument created a spellbinding vibrato which preceded his swap to the bagpipes. Another dimension of this piece was the addition of Llew Kiek from the renowned band Mara! on the baglama or Turkish lute.
Istanbul Blues allowed Sandy Evans on tenor a precursor of what was to come on Oi Havar where she simply soared, taking the audience with her on a carpet ride of freedom and joyous expression.
When George Doukas arrived on stage the battle of the bouzouki’s began with Kiek choosing his own richly decorated axe. While Doukas proved a virtuoso, nothing was going to prepare us for the arrival of the final friend Bobby Dimitrievski on clarinet who displayed an agility on the instrument which is rarely witnessed. Following a standing ovation the group finally returned to the stage for a fitting finale. But what was probably the most musically intuitive passage of the performance came after Evans (during her solo) cried to Dimitrievski to ‘join in Bobby’. The result was a lesson to us all in genuine conversation where listening is just as important as speech when the magic of their respective instruments interwove a singular dialect of perfect harmony.
This was nothing less than a triumphant performance by Kim Sanders and Friends

– Peter Wockner, Jazz and Beyond, May 08 (www.jazzandbeyond.com.au)

Kim performing with Llew Kiek and Peter Kennard

Kim will be performing with Llew Kiek and Peter Kennard on Sat 9 May at:

Fairlight Folk Acoustic lounge
The William St Studios
3 William St Fairlight
Sat 9th May 2009
Doors open 7:00 for 7:45 start
Admission $15, $12 conc, $35 families.

Also performing:

  • Buck and Deanne
  • Jodi Martin (SA)

Fairlight Folk offers consistently high quality music ranging from Celtic and traditional folk to blues to world to a capella to soul, and showcases bands and singer-songwriters – both established and emerging acts. The unifying theme is that the music is mostly acoustic (but not exclusively so), suited to delivery in an intimate and relaxed environment. Four times a year – Feb, May, August, Nov and some one off gigs.

Red leather lounges, café style seating, candle light, great ambience, BYO, friends gather, proper coffee, family friendly and fun for all.

Enquiries 0438 091 885

whatsnew@fairlightfolk.com
http://www.fairlightfolk.com

Kim Sanders and Friends

Kim also works with a variety of small ensembles, known collectively as Kim Sanders & Friends. The group can be tailored in size, personnel and repertoire to suit particular events. The friends include:

Bobby Singh

Bobby Singh

Bobby Singh’s talent was recognised at an early age by Pandit Nikhil Ghosh, and became a student of his senior disciple Aneesh Pradhan, who remains his guru. Bobby is now a “must see” performer on the world music circuit as well as the Indian Classical scene. He has performed with Ashok Roy, Slava Grigoriyan, Joseph Tawadross and many cross-cultural ensembles including Flamenco Dreaming and The Bird. He currently works with Circle of Rhythm and Dha, amongst others.

Bobby Dimitrievski

Bobby Dimitrievski

Australian-born Macedonian clarinettist/saxophonist Blagojce (Bobby) Dimitrevski has degrees from the Sydney Conservatorium of Music but has also learned the old-fashioned way from his father Ivan. He has performed extensively in the Macedonian scene in Australia, with Balkan folk/jazz ensemble Mara! and with Nadya and the 101 Candles Orchestra. He can blister the paint off the walls.

steve launch thumb

Steve Elphick

Double-bassist Steve Elphick has been for many years regarded as one of Australia’s   most creative improvising musicians. He has made many overseas tours with folk-jazz group Mara! and played with jazz greats including Lee Konitz and Steve Lacey. In Australia he has performed and recorded extensively with cutting-edge improvising bands including The World According to James, The Andrew Robson Trio, Ten Part Invention, Bernie McGann Trio and The Umbrellas.

Llew Kiek

Another Australian World Music pioneer, Llew Kiek (bouzouki, bağlama, guitar, tambura, keyboards) has recorded 10 albums and performed in 20 countries with ARIA-winning folk-jazz group Mara! In Australia he has worked with The Bisserov Sisters, Tenzing Tsewang, Silvia Entcheva, Martenitsa, Nakisa, the Renaissance Players, Meryl Tankard Australian Dance Theatre and singers Jeannie Lewis and Margret RoadKnight. Australian World Music Instrumentalist of the year 1999.

Sandyevans colour edited

Sandy Evans

Saxophonist, composer and three-time ARIA-winner Sandy Evans is one of Australia’s leading performers in improvised music. She has played and recorded extensively in Australia and overseas the own Sandy Evans Trio, Clarion Fracture Zone, The catholics, austraLYSIS, the Australian Art Orchestra, MARA!, Bernie McGann, Waratah and many visiting American artists. Named Australian Jazz Artist of the Year at the 2003 Bells Awards. She is also heavily involved with Southern Indian Classical music.

doukas2 LR

George Doukas

Singer, composer and master of the bouzouki, baglama, tzouras and guitar, George Doukas has performed with such Greek luminaries as Sakellariou, Doukissa and Floriniotis as well as a multitude of local Greek artists. He was musical co-director for internationally-screened Concert 2000. In recent years he has has been involved in several exciting collaborations with musicians from a variety cultures, as in his own band Balcano.

toby cropped

Toby Hall

Drummer Toby Hall has played and recorded with outstanding Australian improvisers including Mike Nock, Lloyd Swanton, Bernie McGann, Alister Spence and Sandy Evans as well as leading his own groups. He has also played with many visiting performers including jazz vocal legend Sheila Jordan. Montreal Jazz Festival, North Sea Jazz Festival, New York’s famous Knitting Factory – Toby’s been there, done that.

Sawung Jabo

Sawung Jabo

Reformed rock star, dancer, singer, multi-instrumentalist, composer, choreographer, actor, producer and social activist Sawung Jabo is well-versed in traditional Indonesian music and dance as well as contemporary forms. He is highly respected for the energy, beauty and passion of his words and music. He has released twelve top-selling albums in Indonesia, and performed in Japan, Korea and the US.

Blair point-hi res

Blair Greenberg

Multi-instrumentalist Blair Greenberg has played guitar, steel drums, djembe, didgeridoo, marimba, darabukka and all kinds of percussion (not to mention electric neck) in many countries with Trio Dingo, Epizo Bangoura’s African Express, Muhammad Bangoura, Pape Mbaye, Zulya Kamalova, Christine Anu, The Flying Fruitfly Circus, the Electra String Quartet, Jeannie Lewis and the very strange Paranormal Music Society.

Davood Tabrizi

Davood Tabrizi

Davood Tabrizi studied percussion and Persian string instruments at Tehran Conservatorium and the Uni of Tehran before coming to Australia in 1979. He has performed in many pioneering cross-cultural bands including Tansey’s Fancy and Nakisa, toured America with his own group Far Seas, and has written award-winning scores for theatre productions and films including The Navigator and Serenades.

Linda Marr

Linda Marr

Singer Linda Marr is one of the world music and a cappella scene’s most respected and talented personalities. Acknowledged as a pioneer in bringing world music to a wider audience in Australia, Linda has appeared on more than 20 CDs and toured extensively in Australia and overseas. A founding member of Musica Linda, Blindman’s Holiday and Keklik Aile, Linda has also performed with Tokakros, Cumana and with Kim in Nakisa.

tony lewis dhaf cropped comp

Tony Lewis

Singapore born percussionist Tony Lewis has collaborated with leading musicians from many cultures, including Aboriginal dancer/musician Matthew Doyle, koto-player Satsuki Odamura, harmonic singer David Hykes and sitarist Raj Kumar Sharma. He has also worked with Southern Crossings, Aboriginal Islander Dance Theatre, Nakisa, Waratah and Dhamor Percussion. He has studied and performed in Africa, Asia and the Pacific.

launch peter LR

Peter Kennard

Peter Kennard has studied drumming in West Africa and performed overseas with Colin Offord’s Great Bowing Company, the Turkish State Theatre, Stalker Theatre Company, Sirocco andCathie O’Sullivan. In Australia he has played with sarod virtuoso Ashok Roy, Lulo Reinhardt, Moussa Diyakite, the Flying Fruitfly Circus, Chai Chang Ning, Flamenco Dreaming, Heval and Brassov.

Ron Reeves

Ron Reeves

Percussionist Ron Reeves lived and studied for many years in Indonesia, and specialises in traditional instruments from West Java and South India. In a long and varied career he has played with the Trilok Gurtu, Sydney Symphony Orchestra, Nigeria’s Lebe Olarinjo Masqueraders, the Karnataka College of Percussion, Billy Cobham, Hossam Ramzy,  heavy plastic band AC/PVC and with Kim in GengGong and Trio Dingo. He leads Indonesian-based groups Warogus and Earth Music.

Peter Boyd

Boyd

Enigmatic Kiwi Boyd is the composer of the Martian National Anthem. He also plays  bass and baritone saxophones with intergalactic intensity. He has performed with Mic Conway’s National Junk Band, Jackie Orszcaszki’s Budget Orchestra, Brassov and The Monday Club. The only member of Kim Sanders & Friends weighing less than his instrument, he is a genuine saxophone heavyweight.

Mark Szeto

Hong Kong born Mark Szeto plays double bass and fretless electric bass in a variety of styles. He has performed with Monsieur Camembert, the Sydney Opera House Orchestra and Sydney Chamber Orchestra.  His own band, Low Flying Hippies, released their debut CD Adventure Before Dementia in 2009.

Sam Golding

Multi-instrumentalist Sam Golding (trumpet, tenor horn, trombone,  sousaphone,  flutes, ukelele) performs in many musical settings from Senegalese Mbalax through traditional music from the Balkans, jazz small groups, reggae and cabaret. He is currently working hard with the bands Darth Vegas, The Glorious Sousaphonics, The Fantastic Terrific Munkle, Teranga, Tango Saloon and The Mango Balloon.

Mustafa Karami

Kurdish Iranian Mustafa Karami studied dhaf (traditional frame drum) at Karkars Music College in Tehran and is now recognised as a master of the instrument. He was declared Best Dhaf Player in Iran at the Festival of Dhaf in 2005,6,7. He also sings and plays oud.  Mustafa has performed throughout Iran with ensembles such as Madakto, Javidan, Bamdad and Salmak.  In Australia he has performed with Kim in Davood Tabrizi’s Far Seas.

James Greening

One of Australia’s leading improvising musicians, James Greening has been widely praised for his work on trombone, pocket trumpet, sousaphone and bass with Ten Part Invention, Wanderlust, The catholics, The Umbrellas, The Australian Art Orchestra, Ruby Hunter and Archie Roach, the  Sruthi Laya Ensemble, Matthew Doyle and various strange ensembles led by the late, great Jackie Orszaczky. He leads his own band The World According to James.

“What I wouldn’t give to have friends like these!” – Jaslyn Hall, ABC Limelight Magazine

“In a perfect world, these artists would figure among out national treasures”Michael Rofe, Weekend Australian

“The music is sometimes mystical…but can also be full of tension and real virtuousity” – Eelco Schilder, Folkworld (UK/Germany)

Kim’s CDs

Bent Grooves

frontcover-low-res

Magical collective improvisation framed by lush melodies and anchored by hypnotic rhythms, drawing from the traditions of Turkish Sufi and folk music, Balkan Gypsy brass bands, West African grooves, Indian Classical music, flamenco, blues and jazz.

Magical collective improvisation framed by lush melodies and anchored by hypnotic rhythms, drawing from the traditions of Turkish Sufi and folk music, Balkan Gypsy brass bands, West African grooves, Indian Classical music, flamenco, blues and jazz.

Featuring (in order of height): Sandy Evans: soprano and tenor saxes; Carlos Villanueva: charango; Bobby Singh: tabla; Kim Sanders: ney, Turkish gaida, aardvark, kaval, mey, tenor sax, saluang; George Doukas: bouzouki, Greek baglama; Llew Kiek: Turkish baglama; Steve Elphick: double bass.

The CD was produced by Tony Gorman, engineered by Ross A’Hern and mastered by Paul Bryant. The project was assisted by the Australian Government through the Australia Council, its arts funding advisory body.

What the critics say about Bent Grooves

“That asinine term ‘world music’ actually acquires some meaning when applied to the art of Kim Sanders. The Sydney multi-instrumentalist has stewed in musical melting pots from Indonesia to Gambia and is especially steeped in the sounds of Turkey and Eastern Europe. Having absorbed these traditions, he plays within or without them as suits his creative impulses.Sanders’s long-term collaboration with tabla player Bobby Singh stretches the sonic world of Asia Minor eastward, towards the subcontinent, just as Steve Elphick’s bass and Sandy Evans’s saxophone bring jazzier sensibilities to bear. But Sanders never forces square pegs into round holes and his musical imagination unfolds with a marvellous fluidity, like a river being fed by many tributaries, with the main flow mingling beautiful, often melancholy melodies with evocative rhythms and exotic textures.His own braying tenor saxophone, assorted wistful flutes and sometimes imperious bagpipes radiate a joy in having such open dialogues with his gifted collaborators; dialogues that have been superbly recorded.” – John Shand, Sydney Morning Herald

“What I wouldn’t give to have friends like these!…Bent Grooves is an instrumental CD, beautifully measured and layered” – Jaslyn Hall, ABC Limelight Magazine“No ‘world fuzak’ here!” – Doug Spencer, Producer, The Weekend Planet, ABC Radio National

 

Trance’n’Dancin  

Kim Sanders’  CD Trance’n’Dancin is an exploration of trance music, from the etherial flights of the ney flute used in the rituals of Turkey’s Mevlevi Dervishes to the hypnotic dance-rhythms of the Balkans. It also features the world’s first composition for Bulgarian bagpipe and Hammond organ.

Featuring Kim Sanders: Turkish ney (Sufi flute), kaval (Bulgarian wooden flute), Bulgarian and Turkish gaidas (bagpipes), aardvark (Turkish/Bulgarian/Australian hybrid bass bagpipe), mey (Turkish double reed), saluang (Sumatran flute) & Peter Kennard: dhaf, bendir, darabukka, megabukka, riq, zills, gong-on-a-mattress, wood-blocks, dried budgies, surdo, ride cymbal, harmonium, keyboards, chan, another cymbal

 

What the critics say about Trance’n’Dancin

“Sublime, haunting…The album is a beautifully shaped journey from the spacious taksims to fast and upbeat dance tunes… Sanders has spent years studying the music of Turkey and the Balkans and his passion and skill for this music are clearly evident in this superb album.” – Oonagh Sherrard for www.indie-cds.com

“There is a profound dignity about the expression of sadness in Turkish music. With neither histrionics nor sentimentality, the sadness is distilled into beauty. Kim Sanders has immersed himself in this culture for years and achieves an extraordinarily haunting sound on ney (Dervish flute) for the rubato improvisations on this haunting album. He is accompanied by Peter Kennard, whose realisatons of the slowest tempos in tricky time signatures is a marvel of meditative concentration and execution.” – John Shand, Sydney Morning Herald

“What stirs you throughout this album is the realisation that the breath is what brings you closer to God, that is the ‘ruh’ or the soul. Kim’s brand of music is based on the movement of breath and an inner connection to the mind and spirit. The album is a must for world music conoisseurs and anyone who enjoys the world of Islam.” – Kuranda Seyit, Australia Fair, Dec 05

“A major part of this album is a modern interpretation of Traditional Mevlevi (Whirling Dervish) and Balkan dance music. Yet it loses none of the meditative and languid qualities of the original trance music…The real beauty of the album is the way that the bulk of the tracks achieve the near impossible feat of exuding a sound that is elegiac but at the same time spirited. The hauntingly beautiful “Gidemem Siraza Ben” is almost heartrending in this technically masterful and emotionally uplifting intertwining of the plaintive with the exuberant… Multi- instrumentalist Kim Sanders achieves total command over all his instruments and together with Peter Kennard has produced a masterful album which is an ideal vehicle for a breakthrough to a wider audience.” – Dush Perera, Jazz’n’Blues www.corporatenews.com.au

“This is an energetic and distinctive blend of virtuoso playing from multi-instrumentalist Kim Sanders, masterfully accompanied by Peter Kennard’s magic trunk of percussion… Trance’nDancin features several different fascinating musical styles – Sufi meditations, Turkish lullabies, trance music, folk tunes- as well as an enigmatic track, “Solitary Circumambulation”, which Sanders claims is the world’s first composition for gaida (Balkan bagpipes) and Hammond organ. Sanders is a relentless champion of world music and this CD celebrates the freshness and sheer excitement of the Balkan and Turkish traditions with added new twists and a funky rhythm section to create a joyful session of music for listening or dancing” – Jas Hall, ABC Limelight Magazine

 

You Can’t Get There From Here

Kim Sanders and Friends’ ARIA-nominated CD You Can’t Get There From Here showcases traditional pieces from the Balkans and Middle-East and original pieces including “Hepimiz Deliyiz” (“We’re All Crazy”), first performed at the Ataturk Cultural Centre with the Istanbul State Modern Folk Music Ensemble, 2001. Demented Gypsy-style collective improvisation, Indo-Turkish grooves and more…

Kim Sanders: ney, kaval, mey, duduk, saluang, Bulgarian and Turkish gaidas, aardvark, tenor sax, gong;  Bobby Singh: tablas;  Sabahattin Akdagcik: baglama, oud, yayli tambur;  Steve Elphick: double bass; Peter Kennard: percussion and Epizo Bangoura: djembe, balafon.

What the critics say about You Can’t Get There From Here

This is a dream of an album, full of emotion and skill – Carina Prange, Jazz Dimensions (Germany)

I was immediately conquered by the beauty of the arrangements, the high degree of musicianship and the perfect selection of the tunes featured there – Massimo Ferro, Radio Voce Spazio (Italy)

A gem …Great sounds, textures, clever improvisation over tricky rhythms, an album for conoisseurs – Dieter Bajzek, Folk Alliance Australia

A beautifully-balanced mixture of traditional and contemporary sounds from Turkey, West Africa, India and the Balkans …A fantastic array of moods and charms – K S Seyit, Australian Muslim News

Plenty of beautiful, breath catching moments – Craig N. Pearce, Drum Media

You are sure to want to linger in this musical mystery land – Bernard Zuel, Sydney Morning Herald

Deliciously eclectic! – Doug Spencer, Producer, The Planet, ABC Radio National

Chronic Rhythmosis

Brassov’s World-Gypsy-Jazz CD – re issued 2014       

Brassov are acknowledged as one of Australia’s most original and accomplished contemporary world music – jazz bands.  Their irrestistible rhythms and vibrant melodies have their roots in the music of the Romany (Gypsy) Balkans, West Africa and Latin America.  This is music to listen to, laugh with, and dance to!

The members of Brassov – Robert Guzmani: trumpet; Christine Evans: soprano/alto Sax; Kim Sanders: tenor sax, Balkan & Middle Eastern wind instruments, eastern bagpipes; Boyd: baritone, bass saxes; Peter Kennard: percussion; James Pattugalan: drums.

What the critics say about Chronic Rhythmosis

This is richly-layered brass instrument playing ranging from the fast and furious…to the sublimely lyrical and emotionally sustaining…it’s a brass band that has absorbed its world music, bebop and big band influences and remains true to itself with a rich and distinctive voice.  Chronically good – Realtime, Jan 98

..(with) a gargantuan bass saxophone honking out the bottom end, Brassov take brass band music on a rhythmic bender through Africa and Latin America.  The result is berserk folk-jazz dance music – Richard Guilliatt, Sydney Morning Herald Metro, Jan 97

Marvellously engaging…one of the most original and enthralling of musical ensembles you are likely to encounter – Craig N. Pearce, Drum Media, Oct 97

…an insouciant and vibrant world hybrid, perhaps better thought of as world music jazz.  In it you can hear Balkan, Romany Gypsy, ska, Persian, West African and Latin strains, mixed in a riot of exotic polyrhythms and time signatures – Shane Nichols, Australian Financial Review, Jan 98

Armed with an arsenal of Balkan bagpipes and enough strange instruments to send an ethnomusicologist into paroxysms of delight, Brassov have produced an album of world jazz which is energetic, inventive and fascinating – The Jazz Messenger, Dec 97

People lift up their arms, wiggle their torsos and shout ‘whoopah’…It’s not often that you get to see a gangster, a showgirl, and a Balkan shopkeeper in the one band – not in Sydney anyway.  These guys are like the Macedonian Village People – they can definitely groove, in three, give seven and eleven. – Hugh Worrall, Drum Media, Oct 97

It is obvious that the members of Brassov have a thorough understanding of the sources at the heart of their project and the results were exhilarating: exuberant, raucous playing – Peter Jordan, Sydney Morning Herald, Nov 97

One of the most stimulating and vibrant groups currently operating in the local music scene – Blowing, Drum Media, Nov 97

 

GengGong’s CD – Not Just Music

GengGong uses traditional musics from many cultures (Javanese, Madurese, Bulgarian, Turkish, Arabic, Sumatran) in contemporary arrangements and original compositions.  Indonesion drums, gongs and reeds are combined with guitar, Balkan &Middle Eastern bagpipes, didgeridu, saxophone and wooden flutes to produce a unique and totally compelling performance.

Sawung Jabo: vocals, guitar, bonang and other gongs, dance); Kim Sanders: tenor sax, aardvark, Deravish flute, Bulgarian bagpipe, Middle-Eastern reeds, Sumatran saluang, percussion;  Ron Reeves: Sundanese kendang, Sumatran sarunai, didgeridu, genggong, buzz flute, vocals;  Reza Achman: drum kit, percussion, vocals.

GengGong: "Not Just Music"

 

What the Critics say:

GengGong rock hard – Revolver

The whole blend of traditional music they performed…created a rhythm of harmonic and peaceful sounds, as if we were being drawn into a spiritual experience together with them – Newsmusik

A powerful performing unit – Richard Jasiutowitz, Diaspora

Their commitment to excellence in performance, professional deportment and creative synthesis of traditional and modern elements…[makes] this band…the fore-runner of exciting new developments to come in the fusion of east and west in Australia – Dr David Goldsworthy, Senior Lecturer in Ethnomusicology, University of New England.

Wow, GengGong really went off!! – Seth Jordan, Director, Bellingen Global Carnival

GengGong have already made a significant contribution to contemporary Australian cross-cultural music, especially by promoting a sense of cultural exchange and understanding between Australia and Asia. – Lex Marinos, (former) Head of Carnivale.

 

 

Buying Kim’s CDs

All CDs are available directly from kimzgaida@hotmail.com.  Bent Grooves, Trance’n’Dancin and You Can’t Get There From Here are available from:Indie-CD’s www.indie-cds.com, Trad & Now www.duckscrossing.org/tradshop, Birdland (Sydney city) www.birdland.com.au, Lamdha Books (Wentworth Falls, NSW) www.lamdhabooks.com.au, Mara! Music www.maramusic.com, “Saba Nefes II” is included in the compilation “Groove Medicine – Groove Music” from Music Mosaic.  Individual tracks or full album downloadable online – http://www.music-mosaic.com/ecom/groove-music-medicine.php

You Can’t Get There From Here , Trance’n’Dancin,  Bent Grooves and Chronic Rhythmosis are now available online from iHear Music. You can download single tracks or whole albums.  iHear Music supports Australian musicians – support them if you can!

From the Archives: 

There are still a few copies available of pioneering Australian World Music group Nakisa’s Camels in the City CD and Nakisa’s first album Insallah (LP/cassette  format only)

Kim has also recorded with:

Phanari tis Anatolis,  Oppie Andaresta, Oguz Yilmaz,  Setiawan Djody, Silvia Entcheva Trio, Flamenco Dreaming, Indiajiva, Tansey’s Fancy, Seaweed and Wire, Chichitote, Caiseal Mor, Rick-e-Dee, Bob Wheatley, Sabahattin Akdagcik’s SASOM, David Hobson, Blair Greenberg, Roger Mason, Rabadaki, Tony Lewis/Aboriginal and Islander Dance Theatre, Turkish Art Music Ensemble, Global Roots, ABC Childrens’ series “0-9”  and others…