Categories
Reviews

Review of Bent Grooves CD Launch, Sound Lounge, Sydney, 9th May 2008

Such was a celebration of various cultures through regional music, a reflection of the endless pursuit of diversity for Kim Sanders. Whilst performances sharing the theme of diversity have not gone un-acknowledged over the past decade, it felt to me like the shackles of the Howard monoculture had finally been broken during this performance which […]

Categories
Reviews

Review: Bent Grooves, Michael Rofe, Weekend Australian, December 2008

Kim Sanders is one of those unsung Australian musical pioneers who is following his own vision to create his sound while acknowledging his Middle eastern influences.  Bent Grooves is a wonderful collaboration, indicative of the remarkable musical talent to be found in Australia, far beyond anything created by the superficial or the idols so prominent […]

Categories
Reviews

Review: Bent Grooves, Kuranda Seyit, Aussie Mossie, September 2008

This album combines some of the old Kim with new Kim, fresh from a stint in Turkey you can hear the experimental combinations of saxophone and traditional Turkish instruments, unlike some of the older stuff this is really pushing the boundaries, so much so that one gets lost in the mix and you don’t know […]

Categories
Reviews

Review: Trance’n’Dancin, Jaslyn Hall, Limelight Magazine, 2008

This is an energetic and distinctive blend of virtuoso playing from multi-instrumentalist Kim Sanders, masterfully accompanied by Peter Kennard’s magic trunk of percussion… Trance’nDancin features several different fascinating musical styles – Sufi meditations, Turkish lullabies, trance music, folk tunes – as well as an enigmatic track, “Solitary Circumambulation”, which Sanders claims is the world’s first […]

Categories
Reviews

Review: Bent Grooves, Bradfield Dumpleton, Indie Cds, 2008

Australian multi-instrumentalist and purveyor of contemporary world music Kim Sanders has once again gathered together some of his equally gifted musical friends for this exquisitely rendered collaboration.  This collection draws on traditions of Turkish Sufi and folk music, Balkan Gypsy, West African grooves, Indian Classical music and world jazz-fusion, and weaves these flavours together seamlessly.  […]

Categories
Reviews

Review: Bent Grooves, Eelco Schilder, FolkWorld Germany

The Australian multi instrumentalist Kim Sanders is obsessed with wind instruments and already for many years he shares his obsession with the rest of the world by recording great CD’s. Bent Grooves is his latest work and on this album he plays seven wind instruments varying from Turkish Gaita, Kaval, Saluang to tenor sax. What […]

Categories
Reviews

Review: Bent Grooves, John Shand, Sydney Morning Herald, July 2008

That asinine term “world music” actually acquires some meaning when applied to the art of Kim Sanders. The Sydney multi-instrumentalist has stewed in musical melting pots from Indonesia to Gambia and is especially steeped in the sounds of Turkey and Eastern Europe. Having absorbed these traditions, he plays within or without them as suits his […]

Categories
Reviews

Review: Bent Grooves, Jaslyn Hall, Limelight Magazine, July 2008

What wouldn’t I give to have friends like these: Sandy Evans (soprano and tenor sax), Carlos Villanueva  (charango), Tarlochan Singh (tabla), George Doukas (bouzouki), Llew Kiek (baglama), Blagojce Dimitrievski (clarinet) and Steve Elphick (double bass). Kim Sanders describes his life as a speed bump “you start going somewhere and end up going somewhere completely different”.  […]

Categories
Reviews

Review: You Can’t Get There From Here, Eelco Shilder, FolkWorld Germany

Kim Sanders is a musician from Australia who plays several wind instruments. From different kind of gaita’s up to the tenor sax which he all uses on this cd as well. He studied and performed music for a longer period in Turkey, the Balkan and West-Africa and these influences can be heard in his recorded […]

Categories
Reviews

Review: You Can’t Get There From Here, Carina Prange, Jazz Dimensions Germany

Kim Sanders has built bridges with this album which connect not only the orient with the occident, but also Jazz with the turkish/bulgarian/african traditions. He is remarkably versatile and brilliant on the windinstruments. All other artists on the album are also masters of their instruments. The album conveys authenticity and beats comparable competition hands down. […]