Don’t forget all you Far Westies: Kim Sanders & Friends Trio (featuring Peter Kennard and Llew Kiek) will be performing at the opening night of the Bathurst Inland Sea of Sound Festival on Tues 16 Oct. See their website for more info: inlandseaofsound.com
Friday Feb 10th will be a night of Balkan Gypsy brass-band madness – and that ain’t all! There will also be Persian dance grooves, aetherial Sufi meditations and strange uncategorisable originals. Special guest with the band will be Iranian Kurdish percussionist Mustafa Karami, a master of the dhaf (traditional frame drum). He was declared Best Dhaf-player in Iran in 2005,6,7. Mustafa also sings and plays oud.
“We’ve had some Persian and Kurdish tunes in the repertoire for a while – including Persian reggae” says Kim “but this gig will give us a chance to learn a few new grooves. Mustafa and I played together in Davood Tabrizi’s Far Seas last year, and hopefully that will be an ongoing project too. Llew Kiek has also played some Iranian music over the years, and Peter Kennard is a great frame-drum player, so there should be a lot of things happening”.
There will also be music with a Balkan Gypsy brass band feel, driven along by Sam Golding’s sousaphone.
Kim Sanders: ney, kaval, gaida, saxofon
Llew Kiek: bouzouki, baglama, oud
Sam Golding: sousaphone
Peter Kennard: percussion
and special guest Mustafa Karami bringing a taste of Persian nights on oud, vocals and percussion
Friday 10th February 2012
19 Marrickville Rd (cnr Railway Pde, 2 mins walk from Sydenham station)
Doors open 7.30 for 9 pm start
Fully licenced. Pizzas, mezzes, snacks and sorbets available.
For more info http://www.camelotlounge.com/
Kim Sanders & Friends will present a tribute and farewell to long-time bassist Steve Elphick at the Sound Lounge on Friday December 9. A regular performer with the band for more than ten years, Steve is moving to Melbourne in January.
“The thing about Steve is, wherever the music takes us – and in this band we go to some places that might seem pretty strange to some people – Steve always plays so musically” says Kim. “Tonally, melodically, rhythmically. He’s a great improviser, and has been playing various kinds of ‘world music’ – how I hate marketing terms! – for long enough to be able to play without thinking about the sources he has internalised. And I have been playing with Steve, Sandy and the others for so long now that we can all forget that stuff, and just play! That’s when the magic happens!
A lot of my tunes consist of a circular bass-line, a melody-line and a rhythm. The bass-line holds it all together. When you have a bass-player like Steve, when you are improvising, you always know exactly where you are, even though the tune might be in 13/8 or 17/8, because the feel is there. It’s like a Cuban son tune – Cachao Lopez never plays the bass-line the same way twice but the feel is there, all right! The African infinite-minute-variation approach.
We’ll be sorry to see him go, but we’ll all be fired up at the gig!”
In a career spanning more than twenty-five years Kim Sanders has performed with Gypsy wedding bands in Macedonia, studied with Sufi ney-masters in Turkey, played in mosquito-infested night-clubs in Gambia, tavernas in Greece, concert-halls indonesia and China and on national radio in Bulgaria.
The occasion is also an opportunity for the band to perform with two drummers, Toby Hall, a regular at the Sound Lounge and Peter Kennard, a superb colourist and a master of the frame drum. Together with Steve, it’s a dynamite rhythm section! They will be joined by saxophonist Sandy Evans, herself an explorer in many World Music idioms including the Classical Carnatic tradition of Southern India.
* Kim Sanders: Ganesha (hybrid Bulgarian/Turkish/Balinese/Australian bagpipe), ney (Turkish Sufi flute), kaval (Bulgarian wooden flute, mey (Turkish double reed), tenor sax
* Sandy Evans: tenor and soprano saxes
* Steve Elphick: double bass
* Toby Hall: drums
* Peter Kennard: dhaf (Middle-Eastern frame drum), darabukka (Balkan/Middle-Eastern goblet drum), percussion
8.30 – 11pm
Friday Dec 9
The Sound Lounge
The Seymour Centre
Cnr City Rd & Cleveland St
$20(non-member) – $15 (member) – $10 (student)
Details and on-line bookings at www.sima.org.au
For HiRes photos, to arrange interviews etc contact Kim at email@example.com
This is the second in the Elphick’s Last Stand series put on by Sydney Improvised Music Association. The first will feature Steve with “The World According to James” at the Sound Lounge on Saturday November 26. Details, bookings at www.sima.org.au
* THIS SHOW IS NOW BOOKED OUT – BUT MORE ARE IN THE PIPELINE *
Kim Sanders & Friends Trio will be performing at Osman’s Turkish Restaurant in Townsville on Saturday December 4.
The show will naturally have a Turkish flavour and will feature Kim on ney, kaval, mey and gaidas, Llew Kiek on baglama, bouzouki and oud and Peter Kennard on dhaf, daire, darabukka and percussion.
7.30pm, Osman’s Restaurant, 241/43 Flinders St East, Townsville
Bookings 07 421 firstname.lastname@example.org
Osmans website is www.osmans.com
Magical collective improvisation framed by lush melodies and anchored by hypnotic rhythms, drawing from the traditions of Turkish Sufi and folk music, Balkan Gypsy brass bands, West African grooves, Indian Classical music, flamenco, blues and jazz.
Featuring (in order of height): Sandy Evans: soprano and tenor saxes; Carlos Villanueva: charango; Bobby Singh: tabla; Kim Sanders: ney, Turkish gaida, aardvark, kaval, mey, tenor sax, saluang; George Doukas: bouzouki, Greek baglama; Llew Kiek: Turkish baglama; Steve Elphick: double bass.
The CD was produced by Tony Gorman, engineered by Ross A’Hern and mastered by Paul Bryant. The project was assisted by the Australian Government through the Australia Council, its arts funding advisory body.
What the critics say about Bent Grooves
“That asinine term ‘world music’ actually acquires some meaning when applied to the art of Kim Sanders. The Sydney multi-instrumentalist has stewed in musical melting pots from Indonesia to Gambia and is especially steeped in the sounds of Turkey and Eastern Europe. Having absorbed these traditions, he plays within or without them as suits his creative impulses.Sanders’s long-term collaboration with tabla player Bobby Singh stretches the sonic world of Asia Minor eastward, towards the subcontinent, just as Steve Elphick’s bass and Sandy Evans’s saxophone bring jazzier sensibilities to bear. But Sanders never forces square pegs into round holes and his musical imagination unfolds with a marvellous fluidity, like a river being fed by many tributaries, with the main flow mingling beautiful, often melancholy melodies with evocative rhythms and exotic textures.His own braying tenor saxophone, assorted wistful flutes and sometimes imperious bagpipes radiate a joy in having such open dialogues with his gifted collaborators; dialogues that have been superbly recorded.” – John Shand, Sydney Morning Herald
“What I wouldn’t give to have friends like these!…Bent Grooves is an instrumental CD, beautifully measured and layered” – Jaslyn Hall, ABC Limelight Magazine“No ‘world fuzak’ here!” – Doug Spencer, Producer, The Weekend Planet, ABC Radio National
Kim Sanders’ CD Trance’n’Dancin is an exploration of trance music, from the etherial flights of the ney flute used in the rituals of Turkey’s Mevlevi Dervishes to the hypnotic dance-rhythms of the Balkans. It also features the world’s first composition for Bulgarian bagpipe and Hammond organ.
Featuring Kim Sanders: Turkish ney (Sufi flute), kaval (Bulgarian wooden flute), Bulgarian and Turkish gaidas (bagpipes), aardvark (Turkish/Bulgarian/Australian hybrid bass bagpipe), mey (Turkish double reed), saluang (Sumatran flute) & Peter Kennard: dhaf, bendir, darabukka, megabukka, riq, zills, gong-on-a-mattress, wood-blocks, dried budgies, surdo, ride cymbal, harmonium, keyboards, chan, another cymbal
What the critics say about Trance’n’Dancin
“Sublime, haunting…The album is a beautifully shaped journey from the spacious taksims to fast and upbeat dance tunes… Sanders has spent years studying the music of Turkey and the Balkans and his passion and skill for this music are clearly evident in this superb album.” – Oonagh Sherrard for www.indie-cds.com
“There is a profound dignity about the expression of sadness in Turkish music. With neither histrionics nor sentimentality, the sadness is distilled into beauty. Kim Sanders has immersed himself in this culture for years and achieves an extraordinarily haunting sound on ney (Dervish flute) for the rubato improvisations on this haunting album. He is accompanied by Peter Kennard, whose realisatons of the slowest tempos in tricky time signatures is a marvel of meditative concentration and execution.” – John Shand, Sydney Morning Herald
“What stirs you throughout this album is the realisation that the breath is what brings you closer to God, that is the ‘ruh’ or the soul. Kim’s brand of music is based on the movement of breath and an inner connection to the mind and spirit. The album is a must for world music conoisseurs and anyone who enjoys the world of Islam.” – Kuranda Seyit, Australia Fair, Dec 05
“A major part of this album is a modern interpretation of Traditional Mevlevi (Whirling Dervish) and Balkan dance music. Yet it loses none of the meditative and languid qualities of the original trance music…The real beauty of the album is the way that the bulk of the tracks achieve the near impossible feat of exuding a sound that is elegiac but at the same time spirited. The hauntingly beautiful “Gidemem Siraza Ben” is almost heartrending in this technically masterful and emotionally uplifting intertwining of the plaintive with the exuberant… Multi- instrumentalist Kim Sanders achieves total command over all his instruments and together with Peter Kennard has produced a masterful album which is an ideal vehicle for a breakthrough to a wider audience.” – Dush Perera, Jazz’n’Blues www.corporatenews.com.au
“This is an energetic and distinctive blend of virtuoso playing from multi-instrumentalist Kim Sanders, masterfully accompanied by Peter Kennard’s magic trunk of percussion… Trance’nDancin features several different fascinating musical styles – Sufi meditations, Turkish lullabies, trance music, folk tunes- as well as an enigmatic track, “Solitary Circumambulation”, which Sanders claims is the world’s first composition for gaida (Balkan bagpipes) and Hammond organ. Sanders is a relentless champion of world music and this CD celebrates the freshness and sheer excitement of the Balkan and Turkish traditions with added new twists and a funky rhythm section to create a joyful session of music for listening or dancing” – Jas Hall, ABC Limelight Magazine
Kim Sanders and Friends’ ARIA-nominated CD You Can’t Get There From Here showcases traditional pieces from the Balkans and Middle-East and original pieces including “Hepimiz Deliyiz” (“We’re All Crazy”), first performed at the Ataturk Cultural Centre with the Istanbul State Modern Folk Music Ensemble, 2001. Demented Gypsy-style collective improvisation, Indo-Turkish grooves and more…
Kim Sanders: ney, kaval, mey, duduk, saluang, Bulgarian and Turkish gaidas, aardvark, tenor sax, gong; Bobby Singh: tablas; Sabahattin Akdagcik: baglama, oud, yayli tambur; Steve Elphick: double bass; Peter Kennard: percussion and Epizo Bangoura: djembe, balafon.
What the critics say about You Can’t Get There From Here
This is a dream of an album, full of emotion and skill – Carina Prange, Jazz Dimensions (Germany)
I was immediately conquered by the beauty of the arrangements, the high degree of musicianship and the perfect selection of the tunes featured there – Massimo Ferro, Radio Voce Spazio (Italy)
A gem …Great sounds, textures, clever improvisation over tricky rhythms, an album for conoisseurs – Dieter Bajzek, Folk Alliance Australia
A beautifully-balanced mixture of traditional and contemporary sounds from Turkey, West Africa, India and the Balkans …A fantastic array of moods and charms – K S Seyit, Australian Muslim News
Plenty of beautiful, breath catching moments – Craig N. Pearce, Drum Media
You are sure to want to linger in this musical mystery land – Bernard Zuel, Sydney Morning Herald
Deliciously eclectic! – Doug Spencer, Producer, The Planet, ABC Radio National
Brassov are acknowledged as one of Australia’s most original and accomplished contemporary world music – jazz bands. Their irrestistible rhythms and vibrant melodies have their roots in the music of the Romany (Gypsy) Balkans, West Africa and Latin America. This is music to listen to, laugh with, and dance to!
The members of Brassov – Robert Guzmani: trumpet; Christine Evans: soprano/alto Sax; Kim Sanders: tenor sax, Balkan & Middle Eastern wind instruments, eastern bagpipes; Boyd: baritone, bass saxes; Peter Kennard: percussion; James Pattugalan: drums.
What the critics say about Chronic Rhythmosis
This is richly-layered brass instrument playing ranging from the fast and furious…to the sublimely lyrical and emotionally sustaining…it’s a brass band that has absorbed its world music, bebop and big band influences and remains true to itself with a rich and distinctive voice. Chronically good – Realtime, Jan 98
..(with) a gargantuan bass saxophone honking out the bottom end, Brassov take brass band music on a rhythmic bender through Africa and Latin America. The result is berserk folk-jazz dance music – Richard Guilliatt, Sydney Morning Herald Metro, Jan 97
Marvellously engaging…one of the most original and enthralling of musical ensembles you are likely to encounter – Craig N. Pearce, Drum Media, Oct 97
…an insouciant and vibrant world hybrid, perhaps better thought of as world music jazz. In it you can hear Balkan, Romany Gypsy, ska, Persian, West African and Latin strains, mixed in a riot of exotic polyrhythms and time signatures – Shane Nichols, Australian Financial Review, Jan 98
Armed with an arsenal of Balkan bagpipes and enough strange instruments to send an ethnomusicologist into paroxysms of delight, Brassov have produced an album of world jazz which is energetic, inventive and fascinating – The Jazz Messenger, Dec 97
People lift up their arms, wiggle their torsos and shout ‘whoopah’…It’s not often that you get to see a gangster, a showgirl, and a Balkan shopkeeper in the one band – not in Sydney anyway. These guys are like the Macedonian Village People – they can definitely groove, in three, give seven and eleven. – Hugh Worrall, Drum Media, Oct 97
It is obvious that the members of Brassov have a thorough understanding of the sources at the heart of their project and the results were exhilarating: exuberant, raucous playing – Peter Jordan, Sydney Morning Herald, Nov 97
One of the most stimulating and vibrant groups currently operating in the local music scene – Blowing, Drum Media, Nov 97
GengGong’s CD – Not Just Music
GengGong uses traditional musics from many cultures (Javanese, Madurese, Bulgarian, Turkish, Arabic, Sumatran) in contemporary arrangements and original compositions. Indonesion drums, gongs and reeds are combined with guitar, Balkan &Middle Eastern bagpipes, didgeridu, saxophone and wooden flutes to produce a unique and totally compelling performance.
Sawung Jabo: vocals, guitar, bonang and other gongs, dance); Kim Sanders: tenor sax, aardvark, Deravish flute, Bulgarian bagpipe, Middle-Eastern reeds, Sumatran saluang, percussion; Ron Reeves: Sundanese kendang, Sumatran sarunai, didgeridu, genggong, buzz flute, vocals; Reza Achman: drum kit, percussion, vocals.
What the Critics say:
GengGong rock hard – Revolver
The whole blend of traditional music they performed…created a rhythm of harmonic and peaceful sounds, as if we were being drawn into a spiritual experience together with them – Newsmusik
A powerful performing unit – Richard Jasiutowitz, Diaspora
Their commitment to excellence in performance, professional deportment and creative synthesis of traditional and modern elements…[makes] this band…the fore-runner of exciting new developments to come in the fusion of east and west in Australia – Dr David Goldsworthy, Senior Lecturer in Ethnomusicology, University of New England.
Wow, GengGong really went off!! – Seth Jordan, Director, Bellingen Global Carnival
GengGong have already made a significant contribution to contemporary Australian cross-cultural music, especially by promoting a sense of cultural exchange and understanding between Australia and Asia. – Lex Marinos, (former) Head of Carnivale.
Buying Kim’s CDs
All CDs are available directly from email@example.com. Bent Grooves, Trance’n’Dancin and You Can’t Get There From Here are available from:Indie-CD’s www.indie-cds.com, Trad & Now www.duckscrossing.org/tradshop, Birdland (Sydney city) www.birdland.com.au, Lamdha Books (Wentworth Falls, NSW) www.lamdhabooks.com.au, Mara! Music www.maramusic.com, “Saba Nefes II” is included in the compilation “Groove Medicine – Groove Music” from Music Mosaic. Individual tracks or full album downloadable online – http://www.music-mosaic.com/ecom/groove-music-medicine.php
You Can’t Get There From Here , Trance’n’Dancin, Bent Grooves and Chronic Rhythmosis are now available online from iHear Music. You can download single tracks or whole albums. iHear Music supports Australian musicians – support them if you can!
From the Archives:
There are still a few copies available of pioneering Australian World Music group Nakisa’s Camels in the City CD and Nakisa’s first album Insallah (LP/cassette format only)
Kim has also recorded with:
Phanari tis Anatolis, Oppie Andaresta, Oguz Yilmaz, Setiawan Djody, Silvia Entcheva Trio, Flamenco Dreaming, Indiajiva, Tansey’s Fancy, Seaweed and Wire, Chichitote, Caiseal Mor, Rick-e-Dee, Bob Wheatley, Sabahattin Akdagcik’s SASOM, David Hobson, Blair Greenberg, Roger Mason, Rabadaki, Tony Lewis/Aboriginal and Islander Dance Theatre, Turkish Art Music Ensemble, Global Roots, ABC Childrens’ series “0-9” and others…